For more detail, see an extended curriculum vitae.

After sharing studios off and on from 1974, Canadian artists John Armstrong, who lives in Toronto, and Paul Collins, who lives in Paris, began a full-fledged collaboration in 2000. Armstrong and Collins both carry out all aspects of their collaboration: painting, writing, photography, and video. Since 2002, they have had over twenty exhibitions in Canada and France.

In 2002, Armstrong and Collins created a collaborative bookwork titled Jim →, co-published by Coach House Books and the Art Gallery of Sudbury. The bookwork is comprised of 98 paired photographs taken in Canada and France, followed by a section of short narratives written by the artists in either English or French. Both the photographs and the texts document the artists’ responses to a list of 49 variously mundane or idiosyncratic subjects. A parallel exhibition of photographs, also titled Jim →, was presented first in 2002 at the Robert Birch Gallery (now Birch Libralato), Toronto. The exhibition then traveled to the Art Gallery of Sudbury (2002); Artothèque de Caen, France (2003); Kunsthalle Erfurt, Erfurt, Germany (2003); Faux Mouvement, Metz, France (2003); Owens Art Gallery, Sackville, New Brunswick (2004); and the Museum of Canadian Contemporary Art, Toronto (2004). Jim → was also exhibited at the Maison de la culture Côtes-des-Neiges as part of Image & Imagination, the international photography festival Le Mois de la photo à Montréal 2005.

Lakeshore, a series of painted photographs, has been shown at the following locations: Galerie l’Hôtel, Caen, March 2003; Truck, Calgary, November 2004; Platform Centre for Photography and Media Arts, Winnipeg, January 2005; La galerie ESCA, Nîmes, France, March 2006; Oakville Galleries, Oakville (November 2006); Sir Wilfred Grenfell College Art Gallery, Corner Brook, Newfoundland (November 2006); VAV Gallery, Montreal (May 2007). Each of these exhibitions is unique, comprised of recent and existing paintings and, time permitting, wall painting in combination with video projections. Lakeshore consists of over 100 works.

Toronto Scotiabank Nuit Blanche 2008 curator Gordon Hatt commissioned Armstrong and Collins to create an HDCAM video to project against the blank wall of a large downtown building. Armstrong and Collins regularly contribute texts to the periodical Papiers Libres Art Contemporain (Nîmes). The artists are included in Magenta Publishing's 2008 survey of contemporary painting in Canada, Carte Blanche: Vol. 2, Painting.

John Armstrong has exhibited his work in Toronto galleries such as YYZ, Cold City and Robert Birch (now Birch Libralato), as well as nationally and internationally. In 2003-04, his work was included in The Ironic Turn, a survey of contemporary Canadian art that originated at the Kunsthalle Erfurt, Erfurt, Germany, and traveled to the following locations: Faux Mouvement, Metz, France; Owens Art Gallery, Sackville, New Brunswick; and the Museum of Canadian Contemporary Art, Toronto. A 1998 survey exhibition of his artwork from the 1990s, titled “Sanguine,” was organized by Cambridge Galleries and Plug In Inc., and toured to several Canadian destinations. Armstrong was a member of the Board of Directors of Mercer Union (an artist-run centre in Toronto) from 1991 to 1997, and has curated exhibitions in Toronto for Mercer Union, The Museum for Textiles and Harbourfront Centre, in Peterborough for Artspace, and in Kingston for the Agnes Etherington Art Centre. He has published many reviews and articles for C International Contemporary Art; his writing has also appeared in ArtsAtlantic, BorderCrossings, Canadian Art and Parachute, as well as in The Globe and Mail. His work is represented in the collections of the Art Gallery of Mississauga, Art Gallery of Peel, Canada Council Art Bank, Canadian Embassy Washington (Foreign Affairs Canada), Canadian Embassy Berlin (Foreign Affairs Canada), McMaster Museum of Art, Owens Art Gallery, and the University of Toronto Art Centre.

Before moving to Paris in 1982, Paul Collins lived in Toronto, where he studied Fine Arts at York University and at the New School of Art. He then worked at the Coach House Press, exhibited his paintings at A Space, YYZ, Mercer Union, played music at the Spadina Hotel, contributed regularly to Only Paper Today and founded Permanent Press. Since living in Paris, he has exhibited and performed at the Cartier Foundation, CREDAC, Le Musée des Beaux-arts de Mulhouse, L'Impasse and La Générale. He is the coordinator of the Communication Arts and Media Department at the Ecole des Beaux-arts de Caen-la-Mer. He released Wipe Out!, a 2005 experimental music CD with French composer J. J. Palix; and in 2007, he released another experimental music CD — Blues From A Second Story —with MC/PC, an ongoing collaborative project with Mathieu Chauvin. Collins’s video, "24 Hour 3 Stooges," premiered in 2006 at the Museum of Contemporary Canadian Art. In 2008, he illustrated MAL ARME (Letter Drop 3), a collaboration with poet Victor Coleman published in Toronto by Book Thug.